Scene One – BLACK SWAN – Milwaukee, Wisconsin, June 2018
“I dropped him, Bobby,” Dave says snuffing out his Camel cigarette. “It was him or me. Every day in ‘Nam was like that. Never knowing. I can’t remember a day when I would relax. How could I?” Dave shifts his gaze from me to a distant tree outside the window. “He looked like a local, but he came on like a VC. I had to off him.”
Scene 1 – THE GIFT – Amour Architects – Dubai, UAE, October 1980
The box is mahogany or another rare, tropical wood, highly polished with gilded corners and latches. The length of a yardstick and the width of a 12-inch ruler, like my first grade teacher used to rap my knuckles, the majesty of the box captures my attention as I enter Amour’s conference room.
A Boston Bulldog pulls right, then left against a taught leash in lower Manhattan. He searches for non-existent grass or bare earth on which to find relief. Soon, he drops his excrement on the sidewalk. A man at the other end of the leash bends to clean the walk while the dog scratches unyielding concrete in a futile attempt to cover his spoil. The man yanks the leash. “That’s enough of that, Bingo. We have to move on.”
About the Author
Richard Wilberg is a creativity coach, musician, writer, photographer, and former business leader who lives in Madison, Wisconsin.